Best Selling Books by David Brown

"Fluid" and "Engaging"- Joyce Carol Oates on Always Come Back

Tradition and revelation are often seen as opposites: tradition is viewed as being secondary and reactionary to revelation which is a one-off gift from God. Drawing on examples from Christian history, Judaism, Islam, and the classical world, this book challenges these definitions and presents a controversial examination of the effect history and cultural development has on religious belief: its narratives and art. David Brown pays close attention to the nature of the relationship between historical and imaginative truth, and focuses on the way stories from the Bible have not stood still but are subject to imaginative ''rewriting''. This rewriting is explained as a natural consequence of the interaction between religion and history: God speaks to humanity through the imagination, and human imagination is influenced by historical context. It is the imagination that ensures that religion continues to develop in new and challenging ways.

"I cannot say enough good about this memoir. It is remarkable. I became engrossed in it very early on and stayed riveted until the last page!" Pearl Luke, author of novels Madame Zee and Burning Ground, winner of the 2001 commonwealth writer''s prize for best first novel. An absolute page-turner, NOTHING IS US is the true story of a boy''s escape from his father''s abusive grasp. Told in a novelistic style complete with climax and denouement and the imagery and tension of fiction, it deals with racism in the U.S. South, Kennedy''s assassination, the Cuban missile crisis, student response to the war in Viet Nam, military culture, and the destructive cult of blind American patriotism. E. David Brown has been writing since the age of thirteen. More than just an artistic endeavor, it has helped him go from being a high school dropout to earning a BA in English with a minor in history from the University of Houston, a Master of Fine Arts in creative writing from the University of British Columbia, and a Master of Arts in Administration and Policy Studies in Education from McGill University. Writing helped him survive when he thought he had no future, at times putting food on the table. Both figuratively and literally, it was his means of escape.

Memoirs of an entrepreneur Ever wonder how a startup comes together—the people, places, skills, failures, and hustle that make it a real business? This is the story of David and David, two entrepreneurs with lots of energy and less of a roadmap than you might think. In 1993, David Cohen and David Brown founded their first company, Pinpoint Technologies, which grew from a basement startup to a successful multinational company with $50 million in annual sales and over 250 employees. Chronicling the story of that company from its beginnings up to 1999, when it was sold to ZOLL, and beyond, No Vision All Drive is the story of that company and the people who transformed a flat-broke, shot-in-the-dark concept into a market-leading small business. This book is not about business; it’s about people David and David recount their experiences together Insight on how to build a successful startup Turn a seed idea into reality Startup founders and startup employees, venture capitalists, serial entrepreneurs, and anyone with an interest in stories of determination and hard work will love No Vision All Drive.

Partly in a desire to defend divine freedom and partly because it is seen as the only way of preserving a distinctive voice for theology, much contemporary theology has artificially restricted revelation and religious experience, effectively cutting off those who find God beyond the walls of the Church. Against this tendency, David Brown argues for divine generosity and a broader vision of reality that sees God deploying symbols (literary, visual and sacramental) as a means of mediating between the divine world and our own material existence. A sustained argument for divine interaction and more specifically the ways in which God speaks in the wider imaginative world, this volume calls for a careful listening exercise since symbols are richer and more open in their possibilities than their users often suppose. Not only is this true of the imagery of Scripture, even inanimate objects like buildings or hostile but creative artists can have important things to say to the believing Christian. An ideal introduction that also moves the conversation forward, this volume addresses foundations, the multivalent power of symbols, artists as theologians and meaning in religious architecture.

This is an interspiritual commentary -- largely though not exclusively Buddhist-inspired -- on the life of Elijah as recounted in the Bible. It treats the externals of his life as metaphors for internal mind-states, his story as a labyrinth-like journey toward enlightenment, an unfolding realization of the non-duality of himself and God. Elijah begins with a henotheistic conception of God as a national deity connected to the land of Israel and progresses to a realization of God as the ground of being, being-itself, the God of those who struggle with God, which is the deeper meaning of the name Israel. While the inner dimension is emphasized, there is also a focus on the political dimension of the story, which liberation theologians call God''s preferential option for the poor, and here it is called the politics of anatta -- the core Buddhist principle of not-self.

Kingdom Claus: Book 1 By: Adam David Brown Long ago, and far away in the lands of The North - a vast country at the top of the world and unseen by man - two kingdoms will become entrenched in battle. One for dominance, one for justice. King Claus was once a fighting prince, known as Santa the Red, and is now a warrior king. King Claus defends his kingdom against the ever-pressing encroachment of King Amaranth, a warlord who rose to power through deceit and murder and is hellbent on ruling The North. The shadow grows over the lands as Claus’ emissary, a monk named Halding, unknowingly uncovers Amaranth’s plot to take Kingdom Claus by force. Long before Claus became Father Christmas, as we know him today, he was a great and noble king who fiercely defended his kingdom against darkness and malice. Join along on this tale of magic, might, myths, monsters, and mammoths.

In the ancient conversation between Western philosophy and Christian theology, powerful contemporary voices are arguing for monologue rather than dialogue. Instead of these two disciplines learning from and mutually informing each other, both philosophers and theologians are increasingly disconnected from, and thus unable to hear, what the other is saying, especially in Anglo-American scholarship. Some Christian philosophers are now found claiming methodological authority over doctrine, while some Christian theologians even deny that philosophy has its own integrity as a separate discipline. Against these trends, David Brown has argued over the past thirty years that philosophy and theology are both necessary in order to grapple with the reality of divine mystery and Christian faith. Neither discipline can be reduced to the other, and each has its own contribution to make for a full understanding of what Brown describes as ''a single vision'' of God. In this volume, Brown addresses some key topics in philosophical theology, including the created order, experience and revelation, incarnation and redemption, and heaven and our communal destiny. Combining analytic clarity, doctrinal substance, and historical depth, this volume exemplifies Brown''s project of truly integrating philosophy and theology. It thus provides an ideal introduction to this vital conversation for undergraduate and postgraduate students, as well as a connected argument of interest to specialists in both disciplines.

This work covers a difficult period of the war for the Royal Navy''s Mediterranean Fleet. It covers the destruction of the Italian Fleet at Taranto by naval aircraft from the carrier Illustrious, and the entry of the German Luftwaffe into the theatre with their attack on Illustrious in 1941.

How have the arrangement of biblical narratives over the centuries had an impact on the understanding and practice of discipleship? David Brown''s Tradition and Imagination was described on its publication as ''an achievement unmatched by any British theologian for a long time'' (Maurice Wiles). In this controversial sequel Professor Brown tackles questions about the presentation of biblical narratives over the centuries, and asks whether it has had an impact on our understanding of discipleship. He explores presentations of Job, the biblical Marys, heaven, and the saints to argue that the Church went beyond purely scriptural ideas to keep the life of Christ continually relevant to a changing society. This book includes new attitudes to suffering and sexual equality, and concludes with arguments for a new way of understanding Bible and Tradition. Professor Brown shows in his consistently open and sensitive way that not only does conflict exercise a creative role in the search for truth, but that the most important type of truth, far from being narrowly historical, is in fact imaginative.

A grand and fascinating figure in Victorian politics, the charismatic Lord Palmerston (1784-1865) served as foreign secretary for fifteen years and prime minister for nine, engaged in struggles with everyone from the Duke of Wellington to Lord John Russell to Queen Victoria and Prince Albert, engineered the defeat of the Russians in the Crimean War, and played a major role in the development of liberalism and the Liberal Party. This comprehensive biography, informed by unprecedented research in the statesman''s personal archives, gives full weight not only to Palmerston''s foreign policy achievements, but also to his domestic political activity, political thought, life as a landlord, and private life and affairs. Through the lens of the milieu of his times, the book pinpoints for the first time the nature and extent of Palmerston''s contributions to the making of modern Britain.

How can a book bring martial arts, meditation, quantum physics, Reiki healing, health, well-being, and one''s place in the world together and explain them in a way that highlights their connection and uniqueness as part of a universal whole? Here, we describe the essence of what binds the universe together and connects these seemingly disparate things, energy. We discuss how energy is the root of all these things and how we can harness its great power and potential to create lives for ourselves that are empowering, exhilarating, loving, and fifilled with a sense of awe and a desire to explore and discover . . . the way life is meant to be!

Amelia joins her school football team and learns a lot about teamwork from magical drawings of superheroes and dolphins. It is also time for her to finally tell someone about her amazing magical stationery.

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A path-breaking, non-reductive attempt to explore the revelatory potential in all religions by showing how cultural conditioning impacts religious expression.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Eleven-year-old Addie and her father are a pair of swindlers who make their way around the Southern states during the Depression bilking people out of their hard-earned money.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A lushly illustrated, magisterial exploration of the imaginative truth of the gospel In the modern academy, truth and imagination are thought to be mutually exclusive. But what if truth can spring from other fonts, like art, literature, and invention? The legacy of the Enlightenment favors historical and empirical inquiry above all other methods for searching for truth. But this assumption constrains our theological explorations. Though the historicity of Jesus’s life, death, and resurrection is important, it is not the only thing that matters. For instance, is John’s Gospel any less “true” than the Synoptics just because it’s less historically accurate? David Brown challenges us to expand our understanding of the gospel past source criticism and historical Jesus studies to include works of imagination. Reading Scripture in tandem with works of art throughout the centuries, Brown reenvisions the gospel as an open text. Scholars of theology and biblical studies, freed from literalism, will find new avenues of revelation in Gospel as Work of Art. This volume includes over one hundred color illustrations.