New Releases by Colum Mccann

Se porter responsable de l''existence d''un autre – ne serait-ce qu''un instant – est un acte qui peut affecter toute une vie, se fondre dans un récit universel, s''unir à une somme de narrations et ouvrir les poumons du monde. Colum McCann Lors de l''été 2013, dans le Colorado, un groupe d''écrivains et de militants s''est réuni pour s''interroger sur le rôle de la littérature et ses liens avec l''action sociale. De cette rencontre est née Narrative 4, une association caritative voulue par Colum McCann autour d''un concept fort, celui de l''" empathie radicale ". Sa philosophie ? Le partage. " Mettez-vous dans ma peau, je me mettrai dans la vôtre. " Son but ? Faire s''échanger les histoires à travers les pays, les continents ; une narration globale. Son action ? Favoriser des rencontres entre des jeunes d''horizons, de cultures, de vécus différents, pour se raconter, pour écouter. Et ainsi repousser le cynisme et la désolation, donner une place à l''espérance. De Michael Cunningham à Khaled Hosseini, en passant par Salman Rushdie, Joseph O''Connor, Edna O''Brien ou encore Ian McEwan, soixante-quinze auteurs, réunis par Colum McCann pour soutenir Narrative 4, ont accepté d''écrire un texte inédit répondant à la question : " Qu''est-ce qu''être un homme ? "

From the author of Songdogs, a magnificent work of imagination and history set in the tunnels of New York City. In the early years of the century, Nathan Walker leaves his native Georgia for New York City and the most dangerous job in America. A sandhog, he burrows beneath the East River, digging the tunnel that will carry trains from Brooklyn to Manhattan. Above ground, the sandhogs--black, white, Irish, Italian--keep their distance from each other until a spectacular accident welds a bond between Walker and his fellow diggers--a bond that will bless and curse the next three generations. Years later, Treefrog, a homeless man driven below by a shameful secret, endures a punishing winter in his subway nest. In tones ranging from bleak to disturbingly funny, Treefrog recounts his strategies of survival--killing rats, scavenging for discarded soda cans, washing in the snow. Between Nathan Walker and Treefrog stretch seventy years of ill-fated loves and unintended crimes. In a triumph of plotting, the two stories fuse to form a tale of family, race, and redemption that is as bold and fabulous as New York City itself. In This Side of Brightness, Colum McCann confirms his place in the front ranks of modern writers.

The National Book Award–winning author’s biographical novel of Russian dancer Rudolf Nureyev: “Exuberant and exhilarating . . . a brilliant leap of imagination” (San Francisco Chronicle). In Dancer, Colum McCann tells the ballet icon’s story through the myriad voices of those who knew him. There is Anna Vasileva, Rudi’s first ballet teacher, who rescues her protégé from the stunted life of his provincial town; Yulia, whose sexual and artistic ambitions are thwarted by her Soviet-sanctioned marriage; and Victor, the Venezuelan street hustler, who reveals the lurid underside of the gay celebrity set. Spanning four decades and many worlds, from the horrors of the Second World War to the wild abandon of New York in the ‘80s, Dancer is peopled by a large cast of characters, obscure and famous: doormen and shoemakers, nurses and translators, Margot Fonteyn, Eric Bruhn, and John Lennon. And at the heart of the spectacle stands the artist himself, willful, lustful, and driven by a never-to-be-met need for perfection.

Colum McCann''s Everything in This Country Must, a writer of fierce originality and haunting lyricism, turns to the troubles in Northern Ireland and reveals the reverberations of political tragedy in the most intimate lives of men and women, parents and children. In the title story, a teenage girl must choose between allegiance to her Catholic father and gratitude to the British soldiers who have saved the family''s horse. The young hero of Hunger Strike, a novella, tries to replicate the experience of his uncle, an IRA prisoner on hunger strike. And in Wood, a small boy does his part for the Protestant marches, concealing his involvement from his blind father. Writing in a new form, but with the skill and force and sparkling poetry that have brought him international acclaim, Colum McCann has delivered masterful, memorable short fiction.

NEW YORK TIMES BESTSELLER • LONGLISTED FOR THE MAN BOOKER PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS In the National Book Award–winning Let the Great World Spin, Colum McCann thrilled readers with a marvelous high-wire act of fiction that The New York Times Book Review called “an emotional tour de force.” Now McCann demonstrates once again why he is one of the most acclaimed and essential authors of his generation with a soaring novel that spans continents, leaps centuries, and unites a cast of deftly rendered characters, both real and imagined. Newfoundland, 1919. Two aviators—Jack Alcock and Arthur Brown—set course for Ireland as they attempt the first nonstop flight across the Atlantic Ocean, placing their trust in a modified bomber to heal the wounds of the Great War. Dublin, 1845 and ’46. On an international lecture tour in support of his subversive autobiography, Frederick Douglass finds the Irish people sympathetic to the abolitionist cause—despite the fact that, as famine ravages the countryside, the poor suffer from hardships that are astonishing even to an American slave. New York, 1998. Leaving behind a young wife and newborn child, Senator George Mitchell departs for Belfast, where it has fallen to him, the son of an Irish-American father and a Lebanese mother, to shepherd Northern Ireland’s notoriously bitter and volatile peace talks to an uncertain conclusion. These three iconic crossings are connected by a series of remarkable women whose personal stories are caught up in the swells of history. Beginning with Irish housemaid Lily Duggan, who crosses paths with Frederick Douglass, the novel follows her daughter and granddaughter, Emily and Lottie, and culminates in the present-day story of Hannah Carson, in whom all the hopes and failures of previous generations live on. From the loughs of Ireland to the flatlands of Missouri and the windswept coast of Newfoundland, their journeys mirror the progress and shape of history. They each learn that even the most unassuming moments of grace have a way of rippling through time, space, and memory. The most mature work yet from an incomparable storyteller, TransAtlantic is a profound meditation on identity and history in a wide world that grows somehow smaller and more wondrous with each passing year. Look for special features inside. Join the Random House Reader’s Circle for author chats and more. “A dazzlingly talented author’s latest high-wire act . . . Reminiscent of the finest work of Michael Ondaatje and Michael Cunningham, TransAtlantic is Colum McCann’s most penetrating novel yet.”—O: The Oprah Magazine “One of the greatest pleasures of TransAtlantic is how provisional it makes history feel, how intimate, and intensely real. . . . Here is the uncanny thing McCann finds again and again about the miraculous: that it is inseparable from the everyday.”—The Boston Globe “Ingenious . . . The intricate connections [McCann] has crafted between the stories of his women and our men [seem] written in air, in water, and—given that his subject is the confluence of Irish and American history—in blood.”—Esquire “Another sweeping, beautifully constructed tapestry of life . . . Reading McCann is a rare joy.”—The Seattle Times “Entrancing . . . McCann folds his epic meticulously into this relatively slim volume like an accordion; each pleat holds music—elation and sorrow.”—The Denver Post

À quoi rime la vie quand ceux qu''on aime sont loin, enfuis, à jamais perdus ? Quand on ne possède plus que rêves trahis et espoirs ténus ? Jeune ou vieux, sain d''esprit ou détraqué, fille des rues, amant exemplaire, pitoyable voleur, père créateur : dans ces nouvelles, chaque personnage s''avance jusqu''à la rédemption qui transcendera les coups bas du destin, la folie, la maladie, l''absence, la solitude, le deuil. Dense et incisive, la prose de Colum McCann ignore les frontières entre le réalisme, la poésie et l''allégorie. En filigrane de ces émouvants destins d''hommes et de femmes qui partagent l''attachement à leur Irlande natale, elle évoque avec générosité l''universel combat de tous ceux que la vie a exilés, loin de chez eux... ou loin d''eux-mêmes, tout simplement. Récompensée par les prestigieux prix de littérature irlandaise Hennessy et Rooney, La Rivière de l''exil confirme l''exceptionnel talent de l''auteur des Saisons de la nuit, best-seller unanimement acclamé par la presse et le public.

À travers l''extraordinaire portrait d''une famille d''ouvriers américains, du début du siècle à nos jours, Colum McCann impose un univers romanesque d''une rare puissance, et une prose d''une beauté rude et lumineuse. New York, 1916. Des terrassiers creusent les tunnels du métro sous l''East River. Des noirs, comme Nathan Walker, venu de sa Géorgie natale, des Italiens, des Polonais, des Irlandais... Pendant les dures heures de labeur dans les entrailles de la terre, une solidarité totale règne entre eux. Mais, à la surface, chacun garde ses distances, jusqu''au jour où un accident spectaculaire établit entre Walker et un de ses compagnons blancs un lien qui va sceller le destin de leurs descendants sur trois générations. Manhattan, 1991. Sous le bourdonnement trépidant de la ville, un certain Treefrog, qu''un secret honteux a réduit à vivre dans ces mêmes tunnels, endure les rigueurs d''un hiver terrible, aux côtés d''autres déshérités réfugiés dans ce monde obscur. Soixante-quinze ans séparent Nathan Walker de Treefrog, soixante-quinze ans marqués par le racisme, la pauvreté, les tabous sociaux et les bonheurs furtifs. Deux récits, d''abord parallèles, qui vont finir par se rejoindre et s''entrecroiser pour former une seule et même histoire d''amour et de rédemption.

7 août 1974. Sur une corde tendue entre les Twin Towers s''élance un funambule. Un événement extraordinaire dans la vie de personnes ordinaires. Corrigan, un prêtre irlandais, cherche Dieu au milieu des prostituées, des vieux, des miséreux du Bronx ; dans un luxueux appartement de Park Avenue, des mères de soldats disparus au Vietnam se réunissent pour partager leur douleur et découvrent qu''il y a entre elles des barrières que la mort même ne peut surmonter ; dans une prison new-yorkaise, Tillie, une prostituée épuisée, crie son désespoir de n''avoir su protéger sa fille et ses petits-enfants... Une ronde de personnages dont les voix s''entremêlent pour restituer toute l''effervescence d''une époque. Porté par la grâce de l''écriture de Colum McCann, un roman vibrant, poignant, l''histoire d''un monde qui n''en finit pas de se relever.

Nova York, agost de 1974. Hi ha un home que camina al cel i la ciutat ha quedat paralitzada. L''equilibrista fa grans gambades sobre la corda fluixa, fa giragonses i el pavero mentre passa d''una de les Torres Bessones acabades d''estrenar a l''altra. Sota seu, les vides de vuit estranys s''entrecreuen les unes amb les altres... En Corrigan, un monjo irlandès d''esquerres que treballa al Bronx amb un grup de prostitutes; la Claire, una vídua de l''Upper East Side commocionada per la mort del seu fill a Vietnam; en Solomon, el marit de la Claire, un jutge cínic que es dedica a fotre delinqüents de pa sucat amb oli en un tribunal dels downtown; Lara, una artista jove que lluita contra l''addicció a les drogues i un matrimoni liquidat; en Fernando, un fotògraf underground de 13 anys que retrata graffiti; la Gloria, sòlida i orgullosa malgrat anys de dificultats; la Tillie, una puta valenta que havia somiat dur una vida millor... Obra guanyadora del National Book Award 2009.

Set in Manhattan of 1974, a radical young Irish monk struggles with personal demons while making his home among Bronx prostitutes, a group of mothers is separated by personal differences in spite of shared grief over their lost Vietnam soldier sons, and a young grandmother attempts to prove her worth by soliciting men at the side of her teenage daughter.

NATIONAL BOOK AWARD WINNER • Colum McCann’s beloved novel inspired by Philippe Petit’s daring high-wire stunt, which is also depicted in the film The Walk starring Joseph Gordon-Levitt In the dawning light of a late-summer morning, the people of lower Manhattan stand hushed, staring up in disbelief at the Twin Towers. It is August 1974, and a mysterious tightrope walker is running, dancing, leaping between the towers, suspended a quarter mile above the ground. In the streets below, a slew of ordinary lives become extraordinary in bestselling novelist Colum McCann’s stunningly intricate portrait of a city and its people. Let the Great World Spin is the critically acclaimed author’s most ambitious novel yet: a dazzlingly rich vision of the pain, loveliness, mystery, and promise of New York City in the 1970s. Corrigan, a radical young Irish monk, struggles with his own demons as he lives among the prostitutes in the middle of the burning Bronx. A group of mothers gather in a Park Avenue apartment to mourn their sons who died in Vietnam, only to discover just how much divides them even in grief. A young artist finds herself at the scene of a hit-and-run that sends her own life careening sideways. Tillie, a thirty-eight-year-old grandmother, turns tricks alongside her teenage daughter, determined not only to take care of her family but to prove her own worth. Elegantly weaving together these and other seemingly disparate lives, McCann’s powerful allegory comes alive in the unforgettable voices of the city’s people, unexpectedly drawn together by hope, beauty, and the “artistic crime of the century.” A sweeping and radical social novel, Let the Great World Spin captures the spirit of America in a time of transition, extraordinary promise, and, in hindsight, heartbreaking innocence. Hailed as a “fiercely original talent” (San Francisco Chronicle), award-winning novelist McCann has delivered a triumphantly American masterpiece that awakens in us a sense of what the novel can achieve, confront, and even heal. BONUS: This edition includes an excerpt from Colum McCann’s TransAtlantic. “This is a gorgeous book, multilayered and deeply felt, and it’s a damned lot of fun to read, too. Leave it to an Irishman to write one of the greatest-ever novels about New York. There’s so much passion and humor and pure lifeforce on every page of Let the Great World Spin that you’ll find yourself giddy, dizzy, overwhelmed.”—Dave Eggers “Stunning . . . [an] elegiac glimpse of hope . . . It’s a novel rooted firmly in time and place. It vividly captures New York at its worst and best. But it transcends all that. In the end, it’s a novel about families—the ones we’re born into and the ones we make for ourselves.”—USA Today

Twelve stories about Irish misfits by the author of Songdogs include the tale of the anorexic nun who dies in a Long Island hospital and the talkative beautician who works with corpses.

A Russian peasant who became an international legend, a Cold War exile who inspired the adoration of millions, an artist whose name was a byword for genius, sex, and excess. The magnificence of Rudolf Nureyev''s life and work is known, but now Colum McCann reinvents this figure through the light he shed on the lives of those who knew him.

Une jeune fille seule et un père en deuil et consumé par sa haine de l''ennemi ; un garçon qui en secret aide sa mère à fabriquer des hampes de bois destinées aux défilés orangistes ; un adolescent qui suit, impuissant, la grève de la faim entamée par son oncle en prison... Comment grandir dans un pays en guerre, quand la violence n''épargne aucune famille ? A travers ces nouvelles, Colum McCann brosse l''inoubliable portrait de trois jeunes Irlandais témoins ou, malgré eux, acteurs du drame et qui oscillent entre colère, résignation et désir de vivre. Illuminés par une langue d''une singulière beauté, proche de la prose poétique, ces récits comptent parmi les plus bouleversants jamais écrits sur la tragédie de l''Irlande contemporaine.

Colum McCann creates a mesmerizing evocation of the gulf between memory and imational, love and loss, past and present, in this arresting novel. With unreliable memories and scraps of photographs as his only clues, Conor Lyons follows the tracks of his father--a rootless photographer--as he moved from war-torn Spain to the barren plains of Mexico--where he met Conor''s mother--and finally back to Ireland for the story''s heartrending climax.

A coté du texte original, différentes traductions comparées du premier chapitre du "Corbeau des tourbières" de Patrick McGinley et du "Corbeau" d''Edgar Allan Poe.