Best Selling Books by Chris Sharp

A little boy explains how to use the toilet. Book features a toilet flushing sound chip.

This is the book accompanying the second iteration of the Lulennial, a biennial exhibition mired in paradox, taking place not every two year, and occupying in total 21 square meters of space, at Lulu, in Mexico City. The twenty-two artists were invited to show work that touched one subject matter: fruit. Fruit seems to almost always bring out the comedian in artists, but just as often the alleged humor is a vehicle for serious feelings. With Yuji Agematsu, Kelly Akashi, Deyra Akay, Nina Beier, Luis Miguel Bendaña, Meriem Bennani, Matthew Brannon, Donna Conlon & Jonathan Harker, Jef Geys, Rodrigo Hernandez, Allison Katz, Adriana Lara, Nancy Lupo, Nevine Mahmoud, Aliza Nisenbaum, Naufus Ramírez-Figueroa, Shimabuku, Peter Shire, Gabriel Sierra, Erika Verzutti, Amelie von Wulffen, Maja Vukoje.00Exhibition: Lulu, Mexico City, Mexico (6.2. - 1.4.2018).

Published on the occasion of the exhibition Tom Wesselmann: La Promesse du Bonheur, held at the Villa Paloma, Nouveau Musée National de Monaco, this catalogue is a critical overview of a key American pop artist and an important opportunity to analyze specific aspects of his work: Victorian and post-Victorian sexuality, female agency, postwar economic abundance, beauty, the erotics of anticipation, the politics of the gaze and strategies of indeterminacy. Every aspect of the book''s design, including its more than 170 color illustrations, is conceived to reflect on the artist''s haptic, indexical painterly approach and his oversize scale system.

"Sonia Leimer’s exhibition ''Autoterritorium'' is dedicated to the many layers, artistic and philosophical, that are an integral part of her work. The staging of the exhibition accentuates her artworks: as ''performers'', as portrayers, stimuli and vessels of specific histories and interpretations of space, time, and body perceptions. In her exhibition, Leimer weaves several performance-based sculptural and multimedia works into a narrative in which specific historical and political threads are brought together, owing and merging in a collective political and personal involvement sphere"--Jürgen Tabor.

An anthology of texts and images surveying CACSA@70, the 2012 program of the Contemporary Art Centre of South Australia in its 70th year.

This set of articles about Market Drayton in 1851 is the collective work of the members of the Local History Group of Market Drayton U3A: Meriel Blower, Peter Brown, Kunigunda Gough, David Jenkins, Bill Page, Ian Picton-Robinson, Grace Russell, Chris Sharp and Ros Wells. Each member of the Group chose a subject or subjects which particularly interested them and conducted their research in their own way. The articles were then lightly edited by Peter Brown, mainly to minimise duplication and to try to ensure consistency. This book does not pretend to be a compre¬hensive portrait of the Market Drayton area in 1851. Many relevant topics have been omitted or covered only sketchily - sometimes because the source material was not readily available, sometimes because nobody in the Group possessed the necessary background knowledge or interest. Nevertheless, we hope the reader will find much of interest about the town and its surrounding area in a time of transition.

Colorful pictures illustrate food and eating utensils.