New Releases by Charles Baudelaire

This edition contains new translations by Rosemary Lloyd of an early novella by Baudelaire and all his prose poetry. The novella, La Fanfarlo is a mocking study of love and passion and an evocation of the art of dance. There are 50 prose poems.

A bilingual edition of the works of a 19th century French master. In The Cat, one reads: "Come, cat of mine, perch on my loving breast; / Come, beauty, lie in gentle guise: / Pull in your claws, and let me plunge, possessed, / Into your agate-metal eyes."

At the time of its release in 1860, Baudelaire's "Artificial Paradises" met with immediate praise. Beautifully wrought, this portrait of the effects of wine, opium, and hashish on the mind captures the dreamlike visions that the author experienced during his narcotic trances. **Lightning Print On Demand Title

Baudelaire's complete prose poems, presented bilingually.

Translated articles illustrating the development of Baudelaire's critical ideas.

Baudelaire composed the series of prose poems known as Paris Spleen between 1855 and his death in 1867. He attached great importance to his work in this then unusual form, asking, "Which one of us, in his moments of ambition, has not dreamed of the miracle of a poetic prose, musical, without rhythm and without rhyme, supple enough and rugged enough to adapt itself to the lyrical impulses of the soul, the undulations of reverie, the jibes of conscience?"

Baudelaire's Fleurs du Mal, which in successive editions contained all of his published poems, has opened new vistas for man's imagination and quickened the sensibilities of poets everywhere. The greatest French poet of the 19th century, Baudelaire was also the first truly modem poet, and his direct and indirect influence on the literature of our time has been immeasurable. Flowers of Evil: A Selection contains 53 poems which the editors feel best represent the total work and which. in their opinion, have been most successfully rendered into English. The French texts as established by Yves Gérard Le Dantec for the Pléiade edition are printed en face. Included are Baudelaire's "Three Drafts of a Preface" and brief notes on the nineteen translators whose work is represented.

Baudelaire is one of the major innovators in French literature. His poetry is influenced by the French romantic poets of the earlier 19th century, although its attention to the formal features of verse connect it more closely to the work of the contemporary ''Parnassians''. As for theme and tone, in his works we see the rejection of the belief in the supremacy of nature and the fundamental goodness of man as typically espoused by the romantics and expressed by them in rhetorical, effusive and public voice in favor of a new urban sensibility, an awareness of individual moral complexity, an interest in vice (linked with decadence) and refined sensual and aesthetical pleasures, and the use of urban subject matter, such as the city, the crowd, individual passers-by, all expressed in highly ordered verse, sometimes through a cynical and ironic voice. Formally, the use of sound to create atmosphere, and of ''symbols'', (images which take on an expanded function within the poem), betray a move towards considering the poem as a self-referential object, an idea further developed by the Symbolists Verlaine and Mallarmé, who acknowledge Baudelaire as a pioneer in this regard.