Best Selling Books by Charles Baudelaire

Upon its original publication in 1857 Charles Baudelaire''s "Les Fleurs du Mal" or "The Flowers of Evil" was embroiled in controversy. Within a month of its publication the French authorities brought an action against the author and the book''s publisher claiming that the work was an insult to public decency. Eventually the French courts would acknowledge the literary merit of Baudelaire''s work but ordered that six poems in particular should be banned from subsequent publication. The notoriety caused by this scandal would ultimately work in the author''s favor causing the initial publication to sell out, thus prompting the publication of another edition. The second edition was published in 1861, it included an additional thirty-five poems, with the exclusion of the six poems censored by the French government. Finally in 1868 a third edition was published posthumously. This collection added an additional fourteen poems selected by two of Baudelaire''s friends yet again excluded the six censored poems. Literary scholars generally agree that, while well-meaning, the addition of these poems in the third edition disrupt the structure intended by Baudelaire and thus the 1861 edition should be considered as the definitive edition. In this volume we reproduce that 1861 edition along with the six censored poems in the original French and in an English translation by William Aggeler. Rich with symbolism, "The Flowers of Evil" is rightly considered a classic of the modernist literary movement. Its themes of decadence and eroticism seek to exhibit Baudelaire''s criticism of the Parisian society of his time.

Judicially condemned in 1857 as offensive to public morality, The Flowers of Evil is now regarded as the most influential volume of poetry published in the nineteenth century. Torn between intense sensuality and profound spiritual yearning, racked by debt and disease, Baudelaire transformed his own experience of Parisian life into a work of universal significance. With his unflinching examination of the dark aspects and unconventional manifestations of sexuality, his pioneering portrayal of life in a great metropolis and his daring combination of the lyrical and the prosaic, Baudelaire inaugurated a new epoch in poetry and created a founding text of modernism. Anthony Mortimer, already praised for his virtuoso translations of Petrarch, Dante and Villon, has produced a new version that not only respects the sense and the form of the original French, but also makes powerful English poetry in its own right.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Baudelaire''s Fleurs du Mal, which in successive editions contained all of his published poems, has opened new vistas for man''s imagination and quickened the sensibilities of poets everywhere. The greatest French poet of the 19th century, Baudelaire was also the first truly modem poet, and his direct and indirect influence on the literature of our time has been immeasurable. Flowers of Evil: A Selection contains 53 poems which the editors feel best represent the total work and which. in their opinion, have been most successfully rendered into English. The French texts as established by Yves Gérard Le Dantec for the Pléiade edition are printed en face. Included are Baudelaire''s "Three Drafts of a Preface" and brief notes on the nineteen translators whose work is represented.

A bilingual edition of the works of a 19th century French master. In The Cat, one reads: "Come, cat of mine, perch on my loving breast; / Come, beauty, lie in gentle guise: / Pull in your claws, and let me plunge, possessed, / Into your agate-metal eyes."

Charles Baudelaire (1821-1867) hat �berwiegend in Paris gelebt, wo er das v�terliche Erbe als Gro�stadtdandy durchbrachte. Er war auch t�tig als Kunstkritiker, �bersetzte Poe und entdeckte die Musik Richard Wagners f�r Frankreich.Baudelaire ist einer der gr��ten franz�sischen Lyriker, ebenso Wegbereiter der lyrischen Moderne. Einfluss �bte er auf Verlaine, Rimbaud, Mallarme, George und insbesondere Valery.

Handsome edition includes great French poet''s controversial work, Les Fleurs du Mal, plus prose poems from "Spleen of Paris," critical essays on art, music, and literature, and personal letters.

This edition contains new translations by Rosemary Lloyd of an early novella by Baudelaire and all his prose poetry. The novella, La Fanfarlo is a mocking study of love and passion and an evocation of the art of dance. There are 50 prose poems.

Perhaps the most explosively original mind of his century, Charles Baudelaire has proved profoundly influential well beyond the borders of nineteenth-century France. Writers from Lord Alfred Douglas to Edna St. Vincent Millay, from Aldous Huxley to Seamus Heaney, from Arthur Symons to John Ashbery, from Basil Bunting to Robert Lowell, have all attempted to transmit in English his psychological and sexual complexity, his images of urban alienation. This superb addition to the Poets in Translation series brings together the translations of his poetry and prose poems that best reveal the different facets of Baudelaire''s personality: the haughtily defiant artist, the tormented bohemian, the savage yet tender lover, and the celebrant of strange and haunted cityscapes.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A comprehensive and factual essay in which Baudelaire analyses the feelings, both pleasurable and torturous, experienced by an opium user and the intense effort it takes to overcome the addiction. Delving deep into the subject, he traces the origins of the plant from which hashish is made. The essay is highly informative and serves as a warning to current and would-be opium users.

This translation originally published: 2002.

Considered by some critics to be the definitive translation to date of Baudelaire''s seminal work of world poetry, this dual language book contains all of the poems that were published in the second edition of 1861. The censored pieces from the first edition of 1857 are also included. "I should like to congratulate John Tidball on his most erudite translations of Baudelaire''s poetry." - Dan Kelly, Commandeur dans l''Ordre des Palmes Academiques. "The translations here come closer to the original feel of the texts than any other versions I have read." - Annie Burnside, M.A. (Classical French Literature), Officier dans l''Ordre des Palmes Academiques."

Translated articles illustrating the development of Baudelaire''s critical ideas.

At the time of its release in 1860, Baudelaire''s "Artificial Paradises" met with immediate praise. Beautifully wrought, this portrait of the effects of wine, opium, and hashish on the mind captures the dreamlike visions that the author experienced during his narcotic trances. **Lightning Print On Demand Title

Originally published in 1949, this book contains the French text of various essays by Baudelaire. The essays cover a range of topics, from Edgar Allen Poe to Delacroix and Madame Bovary, and the majority are taken from Baudelaire''s 1868 publication L''art romantique. Parmée provides an introduction examining Baudelaire''s views as revealed in the essays, as well as commenting on Baudelaire''s style. This book will be of value to anyone with an interest in French literature.

Includes Painter Of Modern Life And Poem Of Hashish.

La Fanfarlo es un relato corto, una nouvelle de inspiraci�n autobiogr�fi ca que el poeta Baudelaire vio publicada en 1847, cuando s�lo ten�a veinticinco a�os. El joven poeta Samuel Cramer intenta ayudar a su antiguo amor Madame de Cosmelly: debe deshacer el romance entre el esposo de �sta y la c�lebre bailarina Fanfarlo. Se hace pasar por un enamorado de la actriz, pero se toma tan en serio el papel que cae en su propia trampa.

Famous French Poet

Charles Baudelaire is an extremely influential French poet. He is credited with coining Modernity, the fleeting experience of urban life.

Los peque�os poemas en prosa, tambi�n conocido como El spleen de Par�s y, en algunas traducciones, El espl�n de Par�s, es una colecci�n de 50 peque�os poemas escritos en prosa po�tica por Charles Baudelaire. El libro fue publicado p�stumamente en 1869 como parte del IV tomo de las obras completas de Baudelaire. Es considerado uno de los mayores precursores de la poes�a en prosa.Son temas recurrentes en sus poemas: la melancol�a, el horror al paso del tiempo, el deseo de infinito, la cr�tica corrosiva contra la religi�n y la moral, la burla contra los ideales que mueven a las personas y una aversi�n enorme contra la sociedad y la hipocres�a que la domina.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Fifteen poems by Charles Baudelaire in the original French, followed by an English translation.