Most Popular Books by ANDREW LANG

The stories in the Fairy Books have generally been such as old women in country places tell to their grandchildren. Nobody knows how old they are, or who told them first. The children of Ham, Shem and Japhet may have listened to them in the Ark, on wet days. Hector''s little boy may have heard them in Troy Town, for it is certain that Homer knew them, and that some of them were written down in Egypt about the time of Moses. People in different countries tell them differently, but they are always the same stories, really, whether among little Zulus, at the Cape, or little Eskimo, near the North Pole. The changes are only in matters of manners and customs; such as wearing clothes or not, meeting lions who talk in the warm countries, or talking bears in the cold countries. There are plenty of kings and queens in the fairy tales, just because long ago there were plenty of kings in the country.

The Red Fairy Book has been admired time and time again, enchanting readers with its carefully crafted prose and eclectic assortment of fairy tales. The imaginations of children throughout time have been formed and nurtured by stories passed down from generation to generation. Of the countless genres of stories, fairy tales often conjure the most vivid fantastical worlds and ideas, which cultivate creativity and bring elements of magic back into the real world. Many of these fairy tales have been collected over time into hundreds of memorable collections. Please provide your review after purchase for our future enhancements.

The tales in the Grey Fairy Book are derived from many countries--Lithuania, various parts of Africa, Germany, France, Greece, and other regions of the world.

\"It is almost impossible to envision what childhood would be like without the enchanting world of fairyland. Cinderella, Little Red Riding Hood, giants and dwarfs, monsters and magicians, fairies and ogres - these are the companions who will thrill young boys and girls of all lands and all times, as Andrew Lang''s phenomenally successful collections of stories have proved. From the day that they were first printed, the Lang fairy tale books of many colors have entertained thousands of boys and girls, as they have also brought pleasure to the many parents who have read these unforgettable classics to their children.The Blue Fairy Book was the first volume in the series and so it contains some of the best known tales, taken from a variety of sources: not only from Grimm, but exciting adventures by Charles Perrault and Madame d''Aulnoy, The Arabian Nights, and other stories from popular traditions. Here in one attractive paperbound volume - with enlarged print - are \"\"Sleeping Beauty,\"\" \"\"Rumpelstiltskin,\"\" \"\"Beauty and the Beast,\"\" \"\"Hansel and Gretel,\"\" \"\"Puss in Boots,\"\" \"\"Trusty John,\"\" \"\"Jack the Giantkiller,\"\" \"\"Goldilocks,\"\" and many other favorites that have become an indispensable part of our cultural heritage.All in all, this collection contains 37 stories, all narrated in the clear, lively prose for which Lang was famous. Not only are Lang''s generally conceded to be the best English versions of standard stories, his collections are the richest and widest in range. His position as one of England''s foremost folklorists as well as his first-rate literary abilities makes his collections unmatchable in the English language. \"

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

How is this book unique? Font adjustments & biography included Unabridged (100% Original content) Illustrated About The Crimson Fairy Book by Andrew Lang Princes and princesses, kings and queens, giants and dwarfs, monsters and magicians, fairies and ogres -- these are the companions who thrill young boys and girls of all lands and all times, as Andrew Lang''s phenomenally successful collections of stories have proved. From the day that they were first printed, the Lang fairy books of many colors have entertained thousands of boys and girls. The Crimson Fairy Book contains a fascinating collection of tales from many countries: Hungary, Russia, Rumania, Finland, Iceland, Japan, and Sicily are only some of them. Filled with imagination, excitement, and adventure, these tales will delight everyone with their illogical yet strangely reasonable events. All in all, the collection contains 36 stories. Not only are Lang''s generally conceded to be the best English versions of standard stories, his collections are the richest and widest in range.

This Is A New Release Of The Original 1898 Edition.

Andrew Lang''s urge to collect and publish fairy tales was rooted in his own experience with the folk and fairy tales of his home territory along the English-Scottish border. When Lang began his efforts, he \"was fighting against the critics and educationists of the day,\" who judged the traditional tales'' \"unreality, brutality, and escapism to be harmful for young readers, while holding that such stories were beneath the serious consideration of those of mature age.\" Over a generation, Lang''s books worked a revolution in this public perception.The Crimson Fairy Book published in 1903 offers tales from many lands. There are 36 stories including: The Story of the Seven Simons, The Boy Who Could Keep a Secret, Tiidu the Piper,Paperarello, The Cottager and his Cat, Eisenkopf, The Three Robes, Shepherd Paul, The Magic Kettle, and more. A recent Amazon review: I''d heard a lot about this series, but I wasn''t sure if the language would be too antiquated for my kids, but I fell madly in love, and bought more...I won''t be happy till I''ve got the whole series in my collection, because each one of the \"color fairy\" books is more fabulous than the one before it!Really, if you love traditional fairy tales and fables, you''ll love these. By the way, did you know that \"SNOW WHITE\" had a name change? She was originally called \"SnowDrop\". There are all sorts of lovely details like that in these books, and I love being able to tell my children some of the original charming details of stories that they know and love. We don''t have much in the way of \"oral traditions\" in our society, but these are a step in the right direction. Originally, these were all collected from oral fables from all over the world, and like \"brothers Grimm\

The Red Fairy Book is the second in the series.DownloadAndrew Lang''s Fairy Books or Andrew Lang''s \"Coloured\" Fairy Books constitute a twelve-book series of fairy tale collections. Although Andrew Lang did not collect the stories himself from the oral tradition, the extent of his sources, who had collected them originally (with the notable exception of Madame d''Aulnoy), made them an immensely influential collection, especially as he used foreign-language sources, giving many of these tales their first appearance in English. As acknowledged in the prefaces, although Lang himself made most of the selections, his wife and other translators did a large portion of the translating and telling of the actual stories.(wikipedia)

The setting of this extraordinary historical novel is medieval Paris: a city of vividly intermingled beauty and grotesquerie, surging with violent life under the twin towers of its greatest structure and supreme symbol, the cathedral of Notre-Dame. Against this background, Victor Hugo unfolds the haunting drama of Quasimodo, the hunchback; Esmeralda, the gypsy dancer; and Claude Frollo, the priest tortured by the specter of his own damnation. Shaped by a profound sense of tragic irony, it is a work that gives full play to the author''s brilliant historical imagination and his remarkable powers of description. Whether depicting the frenzy of a brutish mob or the agony of a solitary soul, whether capturing a blaze of sunlight or dungeon darkness, Victor Hugo''s art never fails in its quest for the immediacy of felt experience.

THE ARABIAN NIGHTS ENTERTAINMENTS by ANDREW LANG transports readers to the exotic world of the Middle East, brimming with magic, adventure, and folklore. This collection of tales, filled with genies, villains, heroes, and princesses, promises a spellbinding experience. Lang''s flair for storytelling breathes new life into these timeless tales, ensuring that readers of all ages are captivated from start to finish. His translation retains the enchantment of the original narratives while making them accessible to a modern audience. Dive into a world of magic and adventure with THE ARABIAN NIGHTS ENTERTAINMENTS. Order your copy today and let the magic begin!

The stories in the Fairy Books have generally been such as old women in country places tell to their grandchildren. Nobody knows how old they are, or who told them first. The children of Ham, Shem and Japhet may have listened to them in the Ark, on wet days. Hector''s little boy may have heard them in Troy Town, for it is certain that Homer knew them, and that some of them were written down in Egypt about the time of Moses.People in different countries tell them differently, but they are always the same stories, really, whether among little Zulus, at the Cape, or little Eskimo, near the North Pole. The changes are only in matters of manners and customs; such as wearing clothes or not, meeting lions who talk in the warm countries, or talking bears in the cold countries. There are plenty of kings and queens in the fairy tales, just because long ago there were plenty of kings in the country. A gentleman who would be a squire now was a kind of king in Scotland in very old times, and the same in other places. These old stories, never forgotten, were taken down in writing in different ages, but mostly in this century, in all sorts of languages. These ancient stories are the contents of the Fairy books.

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a ''fresh and newly'' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

''Do you see that mountain?'' asked the king, pointing to a huge mass that towered into the sky about three leagues from Schiraz; ''go and bring me the leaf of a palm that grows at the foot.'' The words were hardly out of the king''s mouth when the Indian turned a screw placed in the horse''s neck, close to the saddle, and the animal bounded like lightning up into the air, and was soon beyond sight even of the sharpest eyes. -from \"The Enchanted Horse\" A startlingly prolific collector of fairy tales from around the world, Andrew Lang, in this 1898 work, brought together in one volume the \"fairy tales of the East,\" the delightful and resoundingly entertaining adventures of The Arabian Nights. Translated from a French version that omits all the \"very dull and stupid\" additions of early European retellings, this wonderful book regales us with the stories of Sindbad and his seven voyages, the \"Vizir who was Punished,\" Aladdin and his magic lamp, and many, many more. Complete with beautiful pen-and-ink illustrations, this is a collection to treasure, whether you''re studying comparative mythology or just seeking a rollicking good read. Scottish journalist and author ANDREW LANG (1844-1912), a friend of Robert Louis Stevenson, produced a stunning variety and number of volumes, including books of poetry, novels, children''s books, histories, and biographies, as well as criticism, essays, scholarly works of anthropology, and translations of classical literature. * * *

Andrew Lang''s Fairy Books or Andrew Lang''s \"Coloured\" Fairy Books constitute a twelve-book series of fairy tale collections. Although Andrew Lang did not collect the stories himself from the oral tradition, the extent of his sources, who had collected them originally (with the notable exception of Madame d''Aulnoy), made them an immensely influential collection, especially as he used foreign-language sources, giving many of these tales their first appearance in English. As acknowledged in the prefaces, although Lang himself made most of the selections, his wife and other translators did a large portion of the translating and telling of the actual stories. The Red Fairy Book is the second in the series.

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a ''fresh and newly'' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature. In an attempt to preserve, improve and recreate the original content, we have worked towards: 1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a ''fresh and newly'' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions. 2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work. We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!

Andrew Lang''s survey of English literature is a remarkably thorough look at the history of English writing, covering authors from Abbot Adamnan to Edward Young, and everyone of note in between.

The Red Fairy Book by Andrew Lang

The Crimson Fairy Book by Andrew Lang

“Andrew Lang and his associates managed to break the stranglehold of the pious sentimentality handed out to children by collecting—from all over the world—fairy tales of all people, and bringing out the volumes we all know and love.”—Kirkus Reviews The first installment of Andrew Lang''s widely read classics and arguably his best known, The Blue Fairy Book has been admired time and time again, enchanting readers with its carefully crafted prose and eclectic assortment of fairy tales. Originally published in 1889, this collection of celebrated tales has stood the test of time. Some of the famous stories included are: Sleeping Beauty Rumpelstiltzkin Beauty and the Beast Hansel and Gretel Puss in Boots Goldilocks And many more! This beautiful edition comes complete with the original illustrations by Golden Age Illustrator Henry J. Ford and is the perfect gift to pass on these timeless classics to the next generation of readers and dreamers. The imaginations of children throughout time have been formed and nurtured by stories passed down from generation to generation. Of the countless genres of stories, fairy tales often conjure the most vivid fantastical worlds and ideas, which cultivate creativity and bring elements of magic back into the real world. Many of these fairy tales have been collected over time into hundreds of memorable collections. However, the ones commonly considered most notable are the Fairy Books compiled by famous Scottish novelist and poet Andrew Lang.

Richard Burton''s translation of \"The Arabian Nights\" is one of the oldest in existence and some people have a problem with this version; it''s too old, antiquated, etc.; but for this reviewer, the very fact that it''s an early translation lends the tales much of their charm; it underscores the fact that \"The Arabian Nights\" go back for hundreds of years, all the way back to \"once upon a time\". Richard Burton introduces us to Sharazad, that seductive storyteller who took the bull by the horns and dared to marry the sultan Shariyar who had been driven mad by the infidelity of his former wife and tried to exorcise the demons of her adultery by marrying a new wife every morning and slaying her that same night. Sharazad knows that a good tale can tame the savage beast much in the way music can, and she keeps the Sultan enchanted night after night with the tales that still enchant us in our own time. We all know about Aladdin and his magic lamp, and Ali Baba and the forty thieves, but there are loads of other treasures in this collection; my personal favorites, aside from Ali Baba, are the story of Ali the Persian (short, succinct, and very funny), and The Lady and Her Five Suitors, a hilarious tale of a woman who lures five men into a trap and then runs off with her boyfriend. And Sharazad, smart lady that she is, took care to insure her own future; not only does she regale her sultan with a thousand and one tales in as many nights, she also presents him with three children during that time, wins the heart of the sultan, and, we suppose, lives happily ever after.No one knows where the tales originated. Burton suggests that the earliest may date from the 8th century A.D., and the latest may have been as recent as the 16th century, only 200 years before Antoine de Galland translated the tales into French and unfolded them like a magic carpet before the astonished and delighted eyes of his European readers. Burton translated them into English in 1885 and they have been weaving their own spell of enchantment for us ever since. When we open \"The Arabian Nights\" we step onto our own magic carpet and we''re off on a ride of fun and fantasy that lasts until the last page when we close the book and come back down, reluctantly, to earth.

The World''s Desire is a classic fantasy novel first published in 1890 and written by H. Rider Haggard and Andrew Lang. The World''s Desire is the story of the hero Odysseus, mainly referred to as \"the Wanderer\" for the bulk of the novel. Odysseus returns home to Ithaca after his second, unsung journey. He is hoping to find a \"home at peace, wife dear and true and his son worthy of him\". Unfortunately, he does not find any of the three, instead his home is ravaged by a plague and his wife Penelope has been slain. As he grieves, he is visited by an old flame, Helen of Troy, for whom the novel is named. Helen leads him to equip himself with the Bow of Eurytus and embark on his last journey. This is an exhausting journey in which he encounters a Pharaoh who is wed to a murderess beauty, a holy and helpful priest, and his own fate. This book is annotated with a rare extensive biographical sketch of the author, Andrew Lang, written by Sir Edmund Gosse, CB, a contemporary poet and writer.

A storyteller''s night without one of Mr. Andrew Lang''s books of fairy tales would be but a dull affair. This one is \" The Crimson Fairy Book \