New Releases by A. L. Kennedy

The love story (as well as the story of love lost, obsessed over, or longed for) gets a complete and thrilling renovation at the hands of the most virtuosic literary stylist to appear in the British Isles since Jeanette Winterson. A. L. Kennedy’s men and women huddle in foreign hotel rooms, immobilized by travel-sickness and betrayal. They plan seductions on the line at a cheese shop. They’re undone by a passing embrace in the office men’s room. Their passion is so urgent and imperious that it invades the stories they tell their children. By turns chaste and ferociously sexy, funny and unbearably sad, every story in Indelible Acts is a testament to the lengths to which desire drives us. And all are marked by Kennedy’s wisdom and humanity, and language that captures the briefest tremor of the infatuated heart.

In 1939, Alfred Day had wanted war. And when he got it, he found purpose in its turmoil: he found his proper role as tail-gunner in a Lancaster bomber; he found the wild, dark fellowship of his crew; and -- most extraordinary of all -- he found Joyce, a woman to love. But now, that''s all gone: the war took it away. And maybe the war has taken him away, too. Before Hitler and the bombs, Alfred was a boy in Staffordshire, helpless to defend his mother and resist his abusive father. The RAF gave him order, skills, another family, a way to be a man. It taught him how to burn through lifetimes on night ops and brief, sweet leaves, surviving. But it didn''t prepare him for capture, for prison camp and chaos as the war wound down. And it certainly didn''t prepare him for an empty peace. So, in 1949, Alfred winds back time to see where he lost himself as an extra in a POW film -- and begins to do what he''s never dared -- to remember. In Day, A. L. Kennedy has crafted a superb novel about the brutal simplicities of war and the complexities of human emotion. Above all, Day is wonderful storytelling: the freight of history and humanity carried effortlessly by the beauty of the writing.

The heroes and heroines of Night Geometry and the Garscadden Trains, A. L. Kennedy''s first collection of stories, are small people - the kind who inhabit the silence in libraries, who never appear on screen and who never make the headlines. Often alone and sometimes lonely, her characters ponder the mysteries of sex and death... and the ability of public transport to affect our lives.

From the prodigiously talented A. L. Kennedy comes a flamboyantly stylish and fiercely emotional novel about fathers and daughters, creation and self-destruction, and love’s paradoxical power to heal its most devastated victims. One such victim is Nathan Staples, a writer whose hilarious contempt for humanity is surpassed only by his corrosive self-loathing. Along with five equally dysfunctional colleagues Nathan lives on an island retreat off the coast of Wales, where he yearns for the daughter he lost years before. Now, in defiance of all his hopes, Mary Lamb–herself an aspiring writer–is about to join him as the seventh member of the colony. As Nathan tortuously wins the trust of the child who has no inkling of their true relationship, Mary comes to a gradual understanding of her gift. In Everything You Need, A. L. Kennedy combines the mythic resonance of Arthurian legend with a sensibility as lyrical as it is profane.

An Anchor Books Original One day, on the brink of despair and contemplating her own mortality, novelist A. L. Kennedy is offered an assignment she can’t refuse–an opportunity to travel to Spain and cover a sport that represents the ultimate confrontation with death: bullfighting. The result is this remarkable book, which takes Kennedy and her readers from the living room of her Glasgow flat to the plazas del toros of Spain and inside the mesmerizing, mystifying, brutal, and beautiful world of the bullfight. Here the sport is death: matadors (literally "killers") are men and, increasingly, women who, not unlike the Roman gladiators before them, provide a spectacle to the crowd, a dance in which their own death is as present as that of the bull. Wonderfully relaying the elements of the sport, from the breeding of the bulls and the training of the matadors to the intricate choreography of the bullfight and its strange connection to the Inquisition, Kennedy meditates on a culture that we may not countenance or fully understand but which is made riveting by the precision of her prose and the passion and humor of her narrative.